Showing posts with label favorite illustrators. Show all posts
Showing posts with label favorite illustrators. Show all posts

Monday, September 28, 2015

The Marvels by Brian Selznik - Sneak Peak!



Last week I received in the mail the most wonderful gift!  It was actually a gift I had ordered for myself and forgot about...don't you love those:)  It is the latest book by Brian Selznick called "The Marvels".  I ordered it during the summer before it was printed, and Amazon sent it to me as soon as it became available.  I have been savoring this book all week, trying not to go through it too fast!  But I wanted to share it with you all in case you hadn't heard about it.

Brian Selznik is the author of many picture books including The Doll People series, Frindle, The Wonderful Invention of Hugo Cabret, and Wonderstruck.  He was already a successful illustrator, but I would say it was when he illustrated Hugo Cabret that he set him apart as an illustrator and storyteller.  He adopted a style that, he says, was inspired by the old black and white films.  They had to rely on only visuals to tell the story since there was no sound and only a frame or two of text to communicate the full story.  Brian Selznik imitated this format in his Hugo Cabret story with huge sections of the story being told by pencil illustrations and text intermittently inserted throughout.  It was a instant success.  When I discovered Hugo I totally fell in love!  His newest work, "The Marvels" is done in a similar format and that's why I wanted you to see it.  A synopsis of the book from Brian's website is as follows:

"The journey begins on a ship at sea, with a boy named Billy Marvel. He survives a devastating shipwreck and later finds work in a London theatre. There his family flourishes for generations as brilliant actors until young Leontes Marvel abandons the stage and runs away.

A century later, Joseph Jervis, another runaway, seeks refuge with an uncle in London. Stormy Uncle Albert and his strange but beautiful house, with its ships and theater programs, haunting portraits and ghostly presences, lure Joseph on a search for clues about the house, and his own life.As readers piece together the mystery of how the two narratives connect, they will be swept up in a gripping adventure that is also a moving exploration of our need to belong and to tell stories."

Here is also a wonderful video that Brian himself put together to preview the book.  You should definitely watch it!  It is so artistic and such an inspiration!





Brian Selznik studied at the Rhode Island School of Design and after he graduated from college he worked at Eeyore’s Books for Children in New York City.  He says he learned all about children’s books from his boss Steve Geck who is now an editor of children’s books at Greenwillow.  His first book, The Houdini Box, which he both wrote and illustrated, was published in 1991 while he was still working at the bookstore.  I don't have that one yet....need to order it:)  Since then, he have illustrated many books for children.  I first discovered him when I bought the Doll People series of books.  His classic pencil drawings are what drew me in, but it's his storytelling that kept me hooked.  Below are a few pages from "The Marvels".  







What I admire the most about Brian Selznik and his work is that he is a wonderful storyteller!  He uses his unique pencil drawing technique and a variation of values to lead the readers eye to the most important story telling elements in each frame.  Not only are his compositions detailed and engaging, but their format enhances the ability of the reader to see the story unfold before them picture after picture.  Sometimes he will take 5 or 6 full page illustrations to tell a single moment in the story.  The page turning experience of this book is wonderfully paced and gives the story a wonderful rhythm.   Additionally he does a stellar job with his character development.   In "The Marvels" he has so many characters to develop and draw consistently as he tells a story that moves across four generations with many of the characters aging from infancy to old age.  His attention to detail and consistency in developing these characters helps the reader to instantly recognize each character even as they age and are sometimes brought back into the story many years later.  In my mind he has definitely set a very high bar for visual storytelling and one that inspires me to improve my own visual storytelling. 



When I was in New York City a few years ago I stopped into the Society of Illustrators and saw an exhibit of original children's picture book artwork.  Brian's work was there and I was blown away when I saw the originals from Wonderstruck!  They were so detailed and so small!  Actually much smaller than the printed pages, which is unusual since many artists will work larger than the finished format.  But his drawings are so well done that they can be enlarged and not lose detail.  It was a wonderful discovery for me and I have been inspired ever since:) 
In case you are interested in reading more here is a link to a USA Today Review and if you are like me and need to own your own copy here is a link to Amazon so you can order it too!

I hope you enjoyed this introduction to "The Marvels".  Let me know in the comments what you think of Brian Selznik's work and "The Marvels".


Monday, September 14, 2015

A child has no trouble believing.....

A child has no trouble believing the unbelievable, nor does the genius or the madman. It’s only you and I, with our big brains and our tiny hearts, who doubt and overthink and hesitate.

- Steven Pressfield
artwork by Machael Knapp

Monday, November 24, 2014

Trina Schart-Hyman - Another Favorite Illustrator

Today I thought I'd write about another favorite illustrator of mine, Trina Schart-Hyman.  I was introduced to Trina and her work through my sister.  She gave me a copy of Saint George and the Dragon, the Caldecott winning book by Hyman, to read to my son Hunter.  Actually, now that I think about it, my sister has turned me onto lots of good books, and illustrators over the years....she has a big influence on me.

My sister loved all the characters and fairies that Hyman puts in her work and especially their facial expressions.  I started to look at her work and fell in love with her gestural line work and her character development.  She works in gouache and pen & ink so you really see the expressiveness to her illustrations.  One book that I particularly love is called "Tight Times".  This book is long out of print and is very hard to find.  My sister found a copy for me and it is one of my most cherished books.  It is a story of a family that is struggling with the stagflation of the 1970's.  I was about the age of the main character in the book in the 1970's so I really can relate to the story line.  Times are tight and both parents have to work to make ends meet.



Then one day the father comes home early because he lost his job.  My dad was a union carpenter so this was a regular occurrence in our house, the job would end and he would be out of work.



The little boy doesn't quite understand what is going on so mom sends him outside to play.  He discovers a kitten tucked behind the trash and a passing gypsy woman helps him rescue the kitten.  He takes it home to ask if he can keep it.



The mom and dad are reluctant at first to keep the cat but then emotion overwhelmed them and they realize a little cat just might be what they need now to lift the weight of the situation.  They make a hug sandwich and the kitten stays!



This is a wonderful story that also speaks to an experience that I was very familiar with.  Hyman's work seems to do that...get at the root of humanity and human emotions in a way that is touching and real.  You can see her gestural drawings in this book, which is done all in black and white.  Her character development is superb and the facial expressions that my sister loves are very evident here.  She also does a wonderful job of setting the environment with details in the kitchen and living room, and the streets of New York. 



Another work by Hyman that my sister turned me on to is "The Fortune Tellers".   This is a story of a young carpenter who is looking for something better in life.  He goes to see the fortune teller to find out if he has something better coming in life, like fame, fortune and love.  The fortune teller says all will come as soon as the carpenter becomes well known, makes lots of money and finds the right woman!  The carpenter is overjoyed!  As he leaves he realizes he forgot to ask one question so he returns to the fortune teller only to find him gone.  A women enters and mistakes the carpenter for the fortune teller so he goes with it and plays the fortune teller.  Through the charade all of his dreams do come true! 







Once again you can see her wonderful gestural drawings, this time with gouache color added.  She establishes the setting as somewhere in Africa and she develops a whole cast of characters and secondary actors who are unique, vibrant, and full of character and life. I love all the details she adds, like the little  monkey who becomes his side-kick.  These are exactly the type of things I enjoy pointing out to my children when we read stories together.  I also really admire the way she maximizes her use of the long horizontal format of the page.  I go back to her work time an again for inspiration and lessons on how to illustrate a wonderful story.  

In her own words  this is what Hyman felt made for a children's book.  “You just have to feel it. Certainly it has to relate to the human experience because children are human, too. It should have all of the things that a good adult story has only put in simpler terms so that children can grasp it.” 

For a complete interview with Trina Schart-Hyman click here.  Unfortunately, Trina died in 2004 so we can no longer look forward to new work from her, but the work that she left us will undoubtedly leave an impression for many generations to come.  I hope you enjoyed meeting Trina Schart-Hyman.  Let me know if you have a favorite book by Trina Schart-Hyman or what you think of her work in the comments section below.  


Friday, October 10, 2014

Jane Chapman - Another Favorite Illustrator

So today I want to introduce you to Jane Chapman (if you don't already know her).  She is the best selling illustrator of "Bear Snores On" and "Bear Wants More" and many more "Bear" books written by Karma Wilson.  I first discovered Jane's work through the "bear" series of books when my kids were younger and I belonged to a children's book club.  I personally love bears, so when I saw "Bear Snores On" I ordered it.  The story is so fun and the illustrations so sweet I immediately fell in love!

I love Jane's style of illustration and I would say of all my favorite illustrators I think her work influences me the most.  She has developed the adorable character of the "Bear" series of bear, wren, mouse, mole, badger, raven, rabbit, and owl.  These characters are memorable and recognizable where ever they go.  I also love her color pallet of bright happy colors mixed with warm earthy mutes  and vibrant greens throughout.  Her color choices help to create the mood of each individual illustration and of course the picture book overall.











She works with a limited pallet and I would love to know what colors she uses.  Her is her medium and color choices in her own words.

"I work in acrylic paint. I’ve tried other things, but acrylics suit me very well. I never know what I’m going to get at the end, so I can’t do watercolour painting at all! Acrylic is good because there is a lot of freedom to change your mind as your picture progresses. I am wedded to about eight secret colours that I use over and over again, but my palette is only ever limited to four per book. I don’t need any more than that."  

I wonder what those secret colors are?  I'm going to make a guess (Jane don't get angry at me if I get it right....yea right).

Flake White
Ivory Black
Permanent Green Light
CadmiumLemon Yellow
Yellow Ochre
Sap Green
Lapis Blue
Terra Rosa
Cadmium Red

Shoot!  That's 9 colors!  Ok, I give up!
Jane says she works mainly with animal characters and in fact considers herself a weak drawer when it comes to drawing people.  I would disagree based on this sketch!


I found a wonderful interview with Jane Chapman done by fellow Brit Joanna Marple.  You can find the full interview here if you are interested.  You can also visit Jane's website here if you want to see all of her work.   She actually works with her husband Tim Warnes, who is also an illustrator, and they share a studio, so they also have work they have produced together.   You will find his work on their joint website which is the link I provided above.  

Well, I hope you have enjoyed meeting Jane Chapman.  If you are a picture book fan then you need to go buy some of her books!  It will give you something to enjoy till next time when I share my next favorite illustrator with you:)  Leave me a comment if you liked this post or if you want to guess at what Jane's secret pallet colors are!
  



Tuesday, August 5, 2014

Sara Palacios - One of my favorite Illustrators

Today I want to introduce you to one of my favorite illustrators… Sara Palacios.  I discovered Sara and her beautiful artwork through Illustration Friday and then I found out that she was a student of my favorite instructor at AAU Angela Dominguez.  What a small world it is!  The first book I bought of Sara's is called Marisol McDonald Doesn't Match.  It's a wonderful story about a little girl who is bi-racial and loves mixing together her favorite things from both cultures of her parents.  It is a wonderful story with a great message of always being yourself, and Sara's illustrations just make it all the more memorable.  You definitely need to check it out!  The first illustration I attached below is from that book.

You can check out more of her work at  https://www.facebook.com/pages/Sara-Palacios-Illustrations/120124554712919?ref=br_tf

Here are a few of my favorite:)


 



 


 

After finding out about our mutual Professor at AAU, I contacted Sara to ask her a few questions about her artwork and her influences.  She was so kind to grant me an interview!  It was so wonderful for her to take time from her busy schedule to answer a new illustrator's questions.  I just had to share it with you all!    

Who is your favorite illustrator?
I admire many. I don't think I have one absolute favorite illustrator actually. One of the ones I admire is Miroslav Sasek. His illustrations are timeless. I like his graphic and elegant style, love his characters and city landscapes. I think if he was still illustrating books today his style wouldn't look dated and would be just as admired as it was in the 60s.

Who are your influences?
That changes a lot. As I said I admire many illustrators and I think we are all influenced but everything we see. I look up to many illustrators that inspire me and make me want to improve my work constantly. I think my style changes as I grow up and the more I learn and the more I practice. I always discover new things, that I like and that I don't about my work.

What is your process when you do a picture book, from reading the manuscript to the final illustrations
This is something you probably have already learned in Angela's class. When I get a manuscript the first thing I do is think about the characters, I try to picture them, and how their surroundings will be like, what kind of place will they live in depending on the story. I usually start by designing the characters, this is a really fun part for me. I start to look for reference, for the characters and for the story. Once I have the characters approved by the art director I move on to thumbnails. Thumbnails are all about the composition, big shapes and some values. This is when I gather more reference, the first time was mostly for inspiration and this time is more specific. When thumbs have been approved, then I do sketches. During these stages there are several rounds of revisions. Lot's of e-mails or phone calls. When I get sketches approved and we're all happy with how things are looking, it's time to do the final art. This is when things get fun again. I usually send the publisher two finished illustrations so they can see the color palette, technique etc. I do this because I want to make sure we're all on the same page. And after that, it's all about hard work and organizing time and life to meet the deadline. 

Sara shared with me that she is working on several picture book projects right now, one that will be coming out with Viking Press this October.  So please check out her site and look for her next book in October.  Plus she said she is working on another Marisol book too!  She will be posting more about all her projects on her FB.

I hope you enjoyed meeting Sara Palacios!