Illustration Friday!

I know it has been a while…can't believe how busy this polar vortex winter has been!  This week's topic on IF is voice!  I immediately thought of the distinctive voice of Louis Armstrong and realized I have done a whole series of Jazz paintings and one of them features Louis!  So here is my contribution to "Voice" for Illustration Friday this week.

Ezra Jack Keates

A while ago I posted about my top 10 favorite illustrators.  Well, I thought I would expand on that for you and feature each illustrator in a post of their own.  To start I chose Ezra Jack Keats because I would have to say that I think he is my favorite:)

It is not surprising that I like Ezra Jack Keats work, many people do.  And of course he was recognized multiple times over during his life.  But his story is so inspiring to me.  He was born around the time that my grandfather was (the one I just lost and posted about a few weeks ago).  He grew up in New York City and was quite poor and his family was hard hit when the Great Depression arrived.  But he persevered in his art despite the fact that his father was concerned about his being able to make a living as an artist.  Ezra's father Benjamin worked as a waiter in a restaurant and knew how hard it was to provide, and despite his desire to discourage Ezra from pursuing art, Benjamin brought home tubes of paint, pretending that he had traded them with penniless artists for food!  Ezra remembered his father saying, "If you don't think artists starve, well, let me tell you…one man came in and swapped me a tube of paint for a bowl of soup."  I love it that his dad was concerned for his welfare, but still wanted to encourage him because he was proud of his son's talent.

Ezra served in the army during World War II, like my grandfather, and then came home to pursue art.  He was determined to study painting in Europe and found a way to spend a season in Paris in 1949.  He returned home to New York and pursued work in commercial art.  Children's book illustration sort of found him and he excelled in it.  It was never his intent to do children's book illustration, but I'm so glad that he did!  He illustrated during a time in our country when there was still a lot of discrimination.  He himself was the victim of discrimination because of his Jewish heritage and he empathized with people who were struggling with it.  Consequently, he was one of the first illustrators to make an African American child the protagonist in a story.

What I appreciate most is that Ezra painted and wrote stories about what he knew, people from his community.  People we can all relate to.  Many of his stories portray family live, and the simple pleasures and more complex problems that children encounter every day.  He drew on his own childhood experiences for his books, like having to run from bullies or being teased by friends.  But these are also the experiences that many children can relate to and that what makes his work so powerful.  He also develops wonderful, memorable characters that we fall in love with.

           Amy                    Maggie                Roberto         Louis            Archie             Jeannie

           

                                                  and of course Peter and his dog Willy!

I also like Ezra's approach to his artwork.  He uses lots of brush strokes and strong shapes.   The simplicity of the shapes are so eloquent and lend such charm to his art.   And I like how he uses elements of collage as well to create his patterns.  I just love studying Ezra's work!  

I hope you enjoy his art as much as I do!

Buffalo grey …….need some color!

Winter in Buffalo can be described with one word….grey!  We have had no sun and lots of snow for way too long now.  So when I got a chance to paint this weekend I just had to paint color!  Lots of it!  It was so refreshing to see the blues and reds and oranges and greens on my canvas.  My pallet was just as beautiful as it had the mixtures of all these colors.  I especially loved the permanent green light mixed with a little cadmium yellow light…such a beautiful spring color!  So for all you who also know winter to be about grey I thought I'd post my painting for you to enjoy.  This one is going front and center in the kitchen of my house so I can see it every day till the real thing arrives:)  Enjoy and let me know what you think.

Illustration Friday!

Here is my post for illustration Friday's topic of "time".  This is called Hopscotch Time!  This painting was done in acrylic on board.  Enjoy!

Top 10 Illustrators

Picture books are my favorite form of art and there are some picture book illustrators whose work I think is outstanding.  I thought I'd share with you my top 10 favorite illustrators..and I should qualify that they are illustrators but also story tellers.  Some are award winning and some are not.  Some have been illustrating a long time and some have just recently made a name for themselves.  Some are alive and some are dead.  Some work with in animation and concept art, some in picture book art, and some do whatever illustration job comes along.  But all inspire and motivate me and I find myself time and again returning to their work to see how they handle a situation or set up a scene.

Here is my list in no particular order:

1.             Ezra Jack Keates

2.             Trina Schart Hyman

3.             Jane Chapman

4.             Tony DeTerlizzi

5.             Garth Williams

6.             Jerry Pickney

7.             Peter DeSeve

8.             Michael Knapp

9.             Leuyen Pham

10.         Sara Palacios

I have included a sample of their work in the collage above. Starting at the top left, I'll mention the artist and what I love about their work.  In subsequent posts, I'll feature each artist further.  

Garth Williams is at the top left and I love his art because it's always in pen and ink.  His line work is so good and his characters have so much depth using only black and white.  Another artist who is excellent with black and white is Tony DeTerlizzi who is next.  His value pattern and character development is what draws me to his work.  Ezra Jack Keates work is simplistic, childlike and yet so profoundly well done.  His was one of the first illustrators to use African American children as protagonists…but he didn't do that to make a statement, he did that because he painted what he knew.  He grew up in New York City as a Jewish boy who lived in an ethnically diverse neighborhood and his art naturally reflected his surroundings.  Rounding out the top row is Peter De seve, who is best know as a concept artist and who developed the characters for Ice Age, among many other feature animated films.  He also has done multiple New Yorker covers and in my opinion captures New York like no one else can.  I love his characters, his wit in his storytelling and his application of watercolor.

Starting the second row is Trina Schart Hyman whose influences are similar to Ezra Jack Keates in that she grew up in New York City and her artwork reflects all ethnicities of people.  I love her figure work - she is so good at capturing the human form.  Jane Chapman is the creator of the beloved bear character that I love so much.  What I admire about Jane's work is her color pallet which is so young and playful without being too primary, and her animal characters are so memorable.  Jerry Pickney is next and if you have seen his work, you too would put him in your top 10 list.  He is one of last century's most successful African American illustrators and his career evolved during a time of great change for both illustration and black people in this country.  He was often a voice and a vessel for dealing with issues about race.  His watercolors are outstanding and he really studies his subjects well and the infuses personality into them in a way that readers can really relate to.  Leuyen Pham is an artist who I discovered recently.  What I love about her work is her ability to place so many story telling elements in her compositions and to have them all feel harmonious.  Her characters are adorable and her illustrations have a sweetness to them.  

Starting the third row of images is Michael Knapp an illustrator that I discovered through the "Out of Picture" book that was published by Blue Sky Studios.  Blue Sky Studios is  a computer animation studio dedicated to creating high end character animation and visual effects for the commercial and feature film industries.  The artists there are amazing and they put together a book of all their ideas that were cropped "out of the picture".  Really cool!  I was drawn to Michael Knapp's work because of his ability to tell a story without any words.  He also has wonderfully dynamic compositions.  And the last image I have above is from Sara Palacios.  I discovered Sara on Illustration Friday, a blog site that features illustrators work.  I fell in love with her work and have been following her for about 5 months.  Her picture book work reminds me of Ezra Jack Keates, but with an updated feel, and I love her character development.  She has also been so kind as to talk to me on e-mail and through Facebook, so I feel honored that she would share her hard earned knowledge with me.  She is also a graduate of The Academy of Art University so we have that common educational element.  

So there you have it!  My list of my favorite illustrators.  Let me know what you think and if there are some illustrators out there that you think I should get to know.  Drop me a comment below.  Thanks!

Swing into the New Year!

How would you like to go up in a swing,

up in the sky so blue…

Oh I do think it the pleasantest thing

ever a child can do!

To start off the New Year I thought I'd post my final illustration from my Children's Book Character Design class that I took at the Academy of Art this past semester.  This is a page from a song that I am illustrating for my thesis project.  I hope to do 5 - 6 full illustrations for this song, plus some spot illustrations.  This is the first one.  I like how happy it turned out.  I don't think there can be anything happier than the feeling of swinging on a swing when you were 5 years old….I thought it was also an appropriate image to bring the new year in with since he is so Happy!

I thought you might also like to see the process of getting to this image including the development of the characters…..

Character line up….the raven is a surprise character that you will have to be looking for to see where he shows up in the story:)

Initial composition done in graphite on vellum.  Only a rough sketch.

Value study done in prismacolor marker on paper.

Color study #1 done in prismacolor marker on paper.

Color study #2 done in prismacolor marker on paper.

Final illustration in process.  This is painted on illustration board in acrylic paints first.  I then apply a wash of oil in burnt sienna.  From there I work in oil paints, prismacolor pencil and pen and ink to create a final illustration of mixed media.

And then finally the final illustration.  You can see that I make a few changes along the way.  I decided to close his eyes because it helped communicate the feeling of pure joy.  I also added leaves the the tree, flowers in the grass and  tall weeds, and a few toys for the dog "Bean" to play with.  My instructor also gave me some great feed back on the values and the sky which I incorporated.  All in all, I'm happy with the final.  The text is added in photoshop afterwards, but the painting itself has not been altered at all digitally.  

I'd love to know what you think of this illustration, so drop me a comment below!  

And Happy New Year!

Words on Pictures

Merry Christmas!

Christmas day is usually a very busy day with opening of gifts, eating of great food and visiting with family.  We did all of that today plus some!  With all that was going on, for some reason  I was thinking of this short story that I read in the Provincetown Art Guide.  I'd like to share it with you here.

EXT.  PROVINCETOWN NEIGHBORHOOD - 1950 - DAY

Nestled between a stretch of cottages and an expanse of sand dunes is a flat, open field bisected by railroad tracks.  The trains no longer run here, so the ties and rails are overgrown with beach grass.

At the "end of the line" is a lone abandoned railroad car - an orange-painted CABOOSE that was once used as a freight office.  Its sheets have been braced and a makeshift stairway leads to the rear door.

We notice smoke rising from a stove pipe on the roof…

George Yater - watercolor on paper


INT. CABOOSE - DAY

A fire roads in a tiny wood stove and a pot of coffee warms on a burner.  There's a small table and a couple of chairs, a cupboard with canned goods, a wash basin and pitcher, and a shelf with an il lamp and a few books.

Someone has transformed the old "freight office" into a Spartan residence.

In a far corner is a sleeping cot and a MAN makes the bed with military-like precision.

He is in this early 60's body  lean and well-muscled.  The kind of body you get from years of tough, physical labor.  His cold blue eyes and shock of close-cropped white hair stand in stark contrast to a deeply tanned leathery face.

This is a hard man who's lived a hard life.

He begins to pour a cup of coffee, but pauses when he glimpses something out oa small, smoky window.  He returns the pot to the stove, the cup to the table.  From under the cot he retrieves a RIFLE.

EXT. CABOOSE _ DAY

It's damned cold outside, but the Man, only in a T-shirt and dungarees, is oblivious to the frigid temperature.  Moving quietly, but with great purpose, he descends the makeshift staircase and searches the nearby sand dunes…

EXT. SAND DUNES - DAY

Weaving through the grass is a FOX, and when it sees the Man, it freezes.

EXT. CABOOSE/SAND DUNES - DAY

The Man aims the rifle…But when he sees THREE FOX KITS running to catch up to their mother>>> He can't shoot.  He just can't.

The fox and her kits disappear into the dunes and the Man turns to the west.  The sun is so bright he has to shut his eyes.  Now feeling the chill, he shivers and hurries back to the warmth of the caboose.  Before entering, he steals one last look at the dunes… and sees nothing but a vast expanse of sand and beach grass.  He betrays a hint of a smile and returns to his coffee.

Written by Mark Protosevich

Here are some fox illustrations I did…